Rosie Brownlow-Calkin (she/her) is an Fairness actor and assistant professor of appearing on the College of Nevada, Reno. She writes concerning the theatre economic system for this journal. On this problem, she explores the long-standing argument concerning the subscription mannequin in “Subscriptions Are Lifeless. Lengthy Dwell Subscriptions!” Says Calkin, “I saved studying these calamitous articles about subscription numbers, however I seen they relied on anecdotal proof to attract broad-stroke conclusions concerning the business as an entire. I needed to solid a wider web and take deeper, data-driven take a look at these traits. To my reduction, the image is much more sophisticated—and extra hopeful—than different articles would have you ever suppose!”
Cara Pleasure David (she/her) is a longtime theatre author and an editor at Broadway World. For her piece “Survival Methods”, she spoke to theatre leaders about how they’ve targeted and/or expanded their programming to remain afloat. In her personal phrases, “Now we have been overwhelmed with tales about every part that’s going incorrect in regional theatre. I’ve written these myself. Whereas they conveyed a story that wanted to be advised, they left many with the impression that our regionals had been faltering throughout the board. That’s not true. There are theatres throughout the nation discovering a approach to survive and, in some instances, thrive. Their tales must be advised too. Possibly a theatre govt studying this piece will study a brand new technique or consider issues in a distinct gentle; possibly it should present some hope to a theatre fan. We must be motivated by the optimistic, not merely the damaging.”
