Nsenga Okay Burton, PhD (she/her) is an award-winning author, entrepreneur, and thought chief, in addition to founding editor-in-chief of The Burton Wire information website. She is the visitor editor for the Theatre Futures collection, supported by the Ford Basis. Whereas collaborating with the essayists, Burton says that she has been struck by the “profound sense of urgency, consciousness, love, and accountability for the course of the following technology of theatre communities. They see the place it’s headed and have thought lengthy and laborious about course-correcting for a extra artistic, numerous, and inclusive tomorrow.”
Stuart Miller (he/him) is a journalist in Brooklyn who has been writing about theatre (and plenty of different issues) for 35 years. His story on summer time theatre within the post-Covid-lockdown world explores many alternative methods theatres are struggling to outlive, additionally the numerous methods they’re adapting. “I used to be always shocked by the totally different points which have arisen—like the truth that a summer time theatre that depends on school college students for stage constructing and technical work could be struggling as a result of the pandemic disadvantaged a brand new technology of the chance to study,” Miller says. “However I used to be additionally regularly impressed by the dedication to persevere and the willingness to attempt new issues to create a greater and extra sustainable theatre expertise.”
